Julian Mandel is the identity given to one of the best-known commercial photographers of female nudes of the early twentieth century.
Signature photography bearing that name became known in the 1910s and was published in Paris through the mid-1930s by such firms as Alfred Noyer, Les Studios, P-C Paris, and the Neue Photographische Gesellschaft.Biographical information on Mandel is scarce and there has been speculation that the name is only a pseudonym.
The models often are found in highly arranged classical poses, photographed both in-studio and outdoors. The images are composed artfully, with exquisite tones and soft use of lighting—showing a particular texture created by light rather than shadow.Reportedly, Mandel was a member of, and participated in, the German avant-garde “new age outdoor” or “plein air” movement.
Numerous pictures sold under this name feature natural settings, playing on the ultra pale, uniform skin tones of the women set against the roughness of nature.The nude photographs were marketed in a postcard-sized format, but as “A Brief History of Postcards” explains, “A majority of the French nude postcards were called postcards because of the size.
They were never meant to be postally sent. It was illegal to send such images in the post. The size enabled them to be placed readily into jacket pockets, packages, and books.