Pablo Picasso

La Douceur

Pablo Picasso is probably the most important figure of 20th century, in terms of art, and art movements that occurred over this period. Before the age of 50, the Spanish born artist had become the most well known name in modern art, with the most distinct style and eye for artistic creation. There had been no other artists, prior to Picasso, who had such an impact on the art world, or had a mass following of fans and critics alike, as he did.

Pablo Picasso was born in Spain in 1881, and was raised there before going on to spend most of his adult life working as an artist in France. Throughout the long course of his career, he created more than 20,000 paintings, drawings, sculptures, ceramics and other items such as costumes and theater sets. He is universally renowned as one of the most influential and celebrated artists of the twentieth century.

Picasso’s ability to produce works in an astonishing range of styles made him well respected during his own lifetime. After his death in 1973 his value as an artist and inspiration to other artists has only grown. He is without a doubt destined to permanently etch himself into the fabric of humanity as one of the greatest artists of all time.

As an artist and an innovator, he is responsible for co-founding the entire Cubist movement alongside Georges Braque. Cubism was an avant-garde art movement that changed forever the face of European painting and sculpture while simultaneously affecting contemporary architecture, music and literature. Subjects and objects in Cubism are broken up into pieces and re-arranged in an abstract form. During the period from approximately 1910-1920 when Picasso and Braque were laying the foundation for Cubism in France, it’s effects were so far-reaching as to inspire offshoots like the styles of Futurism, Dada, and Constructivism in other countries.

Picasso is also credited with inventing constructed sculpture and co-inventing the collage art style. He is also regarded as one of three artists in the twentieth century credited with defining the elements of plastic arts. This revolutionary art form led society toward societal advances in painting, sculpture, printmaking and ceramics by physically manipulating materials that had not previously been carved or shaped. These materials were not just plastic, they were things that could be moulded in some way, usually into three dimensions. Artists used clay, plaster, precious metals, and wood to create revolutionary sculptural art work the world had never seen before.

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Olga Zavershinskaya

Olga Zavershinskaya (b.1986) is a Russian fine art photographer and artist. Lives and works in Czech Republic.

2015 13th Annual Seattle Erotic Art Festival, Seattle, USA
2015 “Staging and Revelation III” Art Gallery AFK, Lisbon, Portugal
2014 Triennial Exhibition of Visual Arts in Rome, Italy
2014 12th Annual Seattle Erotic Art Festival, Seattle, USA
2014 “Staging and Revelation II” Art Gallery AFK, Lisbon, Portugal
2013 11th Annual Seattle Erotic Art Festival, Seattle, USA
2013 Trierenberg Super Circuit 2013 Exhibition, Linz, Austria
2013 “Staging and Revelation” Art Gallery AFK, Lisbon, Portugal
2013 Trierenberg Main Exhibition, Linz, Austria
2013 “Form of Life”, Warthausen, Germany
2012 Trierenberg Super Circuit 2012 Exhibition, Linz, Austria
2012 “Contemporary photography” Art Gallery AFK, Lisbon, Portugal
2012 Trierenberg Main Exhibition, Linz, Austria
2011 “Colours of the Blacklight”, Prague, Czech Republic

Trierenberg Super Circuit & Special Themes Circuit 2013 FIAP Best Authors Award
Trierenberg Super Circuit & Special Themes Circuit 2013 Gold Medal for the winning entry “Covered”
Trierenberg Super Circuit & Special Themes Circuit 2013 Gold Medal for the winning entry “Diaphragm”
Black & White Spider Awards 2013 Merit of Excellence – Nude category for the winning entry “Geometria”
Black & White Spider Awards 2013 Honorable Mention – Fashion category for the winning entry “Vikencia”
IPA 2013 Country’s Pick 3rd place
IPA 2013 Honorable Mention in Fine Art – Nudes category for the winning entry “Paper Work”
IPA 2013 Honorable Mention in Advertising – Beauty category for the winning entry “Sandra”
IPA 2013 Honorable Mention in Fine Art – Portrait category for the winning entry “Nefertiti”
Trierenberg Super Circuit & Special Themes Circuit 2012 1st Prize in Nude category.
IPA 2012 Honorable Mention in Fine Art – Nudes category for the winning entry “Geometria”
IPA 2012 Honorable Mention in Advertising – Beauty category for the winning entry “Medusa”
IPA 2012 Honorable Mention in Fine Art – Portrait category for the winning entry “Theatre of the Absurd”
IPA 2012 Honorable Mention in Fine Art – Nudes category for the winning entry”Ice Cream”

Full list is available upon the request.

Masters Of Anatomy
Trierenberg Super Circuit 2013 Luxury Edition
“Self Artists” by Olga Zavershinskaya, Marten Martens
Trierenberg Super Circuit 2012 Luxury Edition
No Words, Yearbook 2012
Beyond, Yearbook 2011

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Marta Grassi

Born in Montevideo, Uruguay, lives in Paris since 1990. My work takes place serial, sometimes figurative, sometimes abstract, and as much drawing than painting. I love to explore new techniques, to improve my work.

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Michael Lentz

Difficult to know even where this artist was born. I found it by chance at It seems to be German and the only thing I have found is a sentence that says the following

“Everybody is reactionary on questions they know about”

Better to see his work, there you will know him better as any artist

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Jeff Koons

Jeff Koons plays with ideas of taste, pleasure, celebrity, and commerce. “I believe in advertisement and media completely,” he says. “My art and my personal life are based in it.” Working with seductive commercial materials (such as the high chromium stainless steel of his “Balloon Dog” sculptures or his vinyl “Inflatables”), shifts of scale, and an elaborate studio system involving many technicians, Koons turns banal objects into high art icons. His paintings and sculptures borrow widely from art-historical techniques and styles; although often seen as ironic or tongue-in-cheek, Koons insists his practice is earnest and optimistic. “I’ve always loved Surrealism and Dada and Pop, so I just follow my interests and focus on them,” he says. “When you do that, things become very metaphysical.” The “Banality” series that brought him fame in the 1980s included pseudo-Baroque sculptures of subjects like Michael Jackson with his pet ape, while his monumental topiaries, like the floral Puppy (1992), reference 17th-century French garden design.

American, b. 1955, York, Pennsylvania, based in New York, New York

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Sarah Lucas

A Young British Artist (YBA), Sarah Lucas has been satirizing British culture, sexuality, and gender stereotypes since the early 1990s. Often utilizing found objects, she makes confrontational, bawdy sculptures, installations, photographs, and mixed media works on paper, full of Freudian implications. Like Marcel Duchamp before her, she finds euphemistic potential in everyday items, explaining: “Things acquire, accrue a kind of powerfulness to them.” Food, furniture, pantyhose, and cigarettes are the most common objects she incorporates into her work, crafting them into abject, hyper-sexualized genitals and fragmented human bodies, alongside cast concrete and bronze sculptures. In Au Naturel (1994), an early work and a taste of what was to come, Lucas evokes a couple in bed through the choice placement of two melons and a pail next to a cucumber and two oranges on a worn mattress.

British, b. 1962, London, United Kingdom

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Robert Mapplethorpe

Robert Mapplethorpe was born in 1946 in Floral Park, Queens. Of his childhood he said, “I come from suburban America. It was a very safe environment and it was a good place to come from in that it was a good place to leave.”

In 1963, Mapplethorpe enrolled at Pratt Institute in nearby Brooklyn, where he studied drawing, painting, and sculpture. Influenced by artists such as Joseph Cornell and Marcel Duchamp, he also experimented with various materials in mixed-media collages, including images cut from books and magazines. He acquired a Polaroid camera in 1970 and began producing his own photographs to incorporate into the collages, saying he felt “it was more honest.” That same year he and Patti Smith, whom he had met three years earlier, moved into the Chelsea Hotel.

Mapplethorpe quickly found satisfaction taking Polaroid photographs in their own right and indeed few Polaroids actually appear in his mixed-media works. In 1973, the Light Gallery in New York City mounted his first solo gallery exhibition, “Polaroids.” Two years later he acquired a Hasselblad medium-format camera and began shooting his circle of friends and acquaintances—artists, musicians, socialites, pornographic film stars, and members of the S & M underground. He also worked on commercial projects, creating album cover art for Patti Smith and Television and a series of portraits and party pictures for Interview Magazine.

In the late 70s, Mapplethorpe grew increasingly interested in documenting the New York S & M scene. The resulting photographs are shocking for their content and remarkable for their technical and formal mastery. Mapplethorpe told ARTnews in late 1988, “I don’t like that particular word ‘shocking.’ I’m looking for the unexpected. I’m looking for things I’ve never seen before … I was in a position to take those pictures. I felt an obligation to do them.” Meanwhile his career continued to flourish. In 1977, he participated in Documenta 6 in Kassel, West Germany and in 1978, the Robert Miller Gallery in New York City became his exclusive dealer.

Mapplethorpe met Lisa Lyon, the first World Women’s Bodybuilding Champion, in 1980. Over the next several years they collaborated on a series of portraits and figure studies, a film, and the book, Lady, Lisa Lyon. Throughout the 80s, Mapplethorpe produced a bevy of images that simultaneously challenge and adhere to classical aesthetic standards: stylized compositions of male and female nudes, delicate flower still lifes, and studio portraits of artists and celebrities, to name a few of his preferred genres. He introduced and refined different techniques and formats, including color 20″ x 24″ Polaroids, photogravures, platinum prints on paper and linen, Cibachrome and dye transfer color prints. In 1986, he designed sets for Lucinda Childs’ dance performance, Portraits in Reflection, created a photogravure series for Arthur Rimbaud’s A Season in Hell, and was commissioned by curator Richard Marshall to take portraits of New York artists for the series and book, 50 New York Artists.

That same year, in 1986, he was diagnosed with AIDS. Despite his illness, he accelerated his creative efforts, broadened the scope of his photographic inquiry, and accepted increasingly challenging commissions. The Whitney Museum of American Art mounted his first major American museum retrospective in 1988, one year before his death in 1989.

His vast, provocative, and powerful body of work has established him as one of the most important artists of the twentieth century. Today Mapplethorpe is represented by galleries in North and South America and Europe and his work can be found in the collections of major museums around the world. Beyond the art historical and social significance of his work, his legacy lives on through the work of the Robert Mapplethorpe Foundation. He established the Foundation in 1988 to promote photography, support museums that exhibit photographic art, and to fund medical research in the fight against AIDS and HIV-related infection.

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Andy Warhol

In the fall of 1977, Andy Warhol began work on two new series of artworks which would become known as Torsos and Sex Parts. While the Torsos paintings would quickly be praised for following in the “high art” style of classical nudes, the Sex Parts series from which Torsos was borne blurred the line between art and pornography.

In creating the artworks, Warhol was probably inspired by classical nudes and erotic art which have been depicted throughout history. Sexuality in artwork can be found as early as 35,000 BC in central Europe with the erotic sculptures of the Venus of Hohle Fels and later the Venus of Willendorf statuettes, all of which have enlarged breasts and well-defined genitalia. In addition, sexual acts were displayed on vases in Ancient Greece from the 6th Century BC with images of Zeus engaging with his male lover Ganymede, as well as scenes of coitus on Etruscan vases and erotic frescos uncovered in Pompeii. Classical nudes, some homoerotic, are also present in works from the Renaissance, as witnessed in Goya’s Las Maja Desnuda and Titian’s Venus of Urbino. Warhol would have been taught about such historical works during his Art History classes at Carnegie Tech, and their impact is evident in this exhibition.

The seed of the Torsos and Sex Parts series sprouted after a man approached Warhol boasting of his large penis. Warhol agreed to photograph the man’s genitalia and the photographs were placed in a box casually labeled “Sex Parts.” Later, Warhol noticed the wording of the box’s label and conceived the idea for a series of works based on the initial photographs. Subjects for subsequent photo shoots were recruited from gay bath houses by Halston’s boyfriend, the artist and window dresser Victor Hugo. The men were asked to relax, pose, or take part in various sexual activities while Warhol photographed them with a 35mm camera and a Polaroid Big Shot. According to associate Bob Colacello, when confronted on the explicit nature of the photographs sitting around the office Warhol responded, “Just tell them it’s art, Bob. They’re landscapes.” Holy Terror, p. 337

The tamer images became the basis of the Torsos series, which was meant to be exhibited in museums, and which debuted at the Grand Palais in Paris in October 1977. The more sexually-charged artworks were produced as the Sex Parts print portfolio and were intended to be purchased for private collections. But perhaps the underlying reason for their creation was as a tool for Warhol’s ultimate acceptance of his sexuality. Longtime assistant Ronnie Cutrone recalls: “… we always understood it was going to be one of those portfolios that would sit primarily in the back room; that it would take a certain type of collector to appreciate them… But Andy was Catholic and a homosexual…For years, the joke was that Andy called homosexuality a “problem.” Sex Parts was a final announcement or affirmation of his homosexuality.” Unseen Warhol, p.68.

Casually referred to by Warhol as the Cocks, Cunts, and Assholes series, many of the works in this exhibition are on view to the public for the first time.

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Evelina Pentcheva

Featured by CBS Los Angeles as one of the Best Artistic Photographers of Orange County.

Award Winning Photographer at one of the biggest Visual Art Competition Venues in Orange County.

Evelina is born in Eastern Europe and besides an artist and an award winning photographer she is a facilitator of personal transformation and consciousness addict that loves spending time in nature. Evelina’s promise is to take You on a magical journey of self discovery and beauty beyond what the eye can conceive. It’s an experience that will transform Your Whole Being so you can live a life full of potency, ecstasy and limitless possibilities. As a result you will have a real connection to yourself and meaningful relationships with others. When we connect to our self we become Radiant, Glorious and Attractive. That Radiance is captured trough her vision and lens.

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Fernando de la Jara

It is not in 1948, in Lima, Peru, where Fernando de la Jara is born; nor it is at some school of Fine Arts where he learns to paint. He is born and learns, with every picture he paints.

There is no better biography of a painter than his own work. Painting, the place where form and substance become one, in perfect unity, where, thanks to the imagination, all dreams, longings and fears, not only become possible, but also portrays its author. Alone, and full of wonder, I have painted these pictures, full of my persona who I wish inspired. Alone, with them I leave you. Let’s thank the Communion.

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